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Anomalisa featurette highlights patience and precision of stop-motion magic

On 30, Nov 2015 | In Featured, Press & News | By

When you see how much work goes into stop-motion animation, you might ask, “Why would anyone choose to make a film this way?” The process is tedious and time-consuming, and at the end of the day, you’re dealing with lifeless puppets. But then you see a film like Anomalisa, and you can’t imagine a more tender and emotional human experience. It had to be stop-motion.

“You’re watching this thing that’s hand-made, that’s been created by people, that’s been manipulated by animators,” says writer and co-director Charlie Kaufman. “You can see that, and you can feel it.”

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